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IU Bloomington Libraries publish their first electronic journal, showcasing faculty partnerships

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FOR IMMEDIATE RELEASE
Feb. 21, 2008

BLOOMINGTON, Ind. -- Through a partnership that marks a turning point in scholarly publishing at Indiana University, Ruth Lilly Dean of University Libraries Patricia Steele announced today (Feb. 21) the publication of Museum Anthropology Review, the first faculty-generated electronic journal supported by the IU Bloomington Libraries.

Edited by Jason Baird Jackson, associate professor in IU's Department of Folklore and Ethnomusicology, Museum Anthropology Review showcases a new model for Bloomington faculty to disseminate their scholarly work.

With this pilot test, the IU Bloomington libraries are poised to support the electronic publication of journals, offering faculty editors a low-cost solution to the administrative and publishing functions of managing them. This expands the scope of IUScholarWorks, a set of services to make the work of IU scholars freely available, maximizing exposure and visibility of publications by making articles accessible to search services such as Google Scholar.

"Libraries nationwide are interested in supporting faculty who can realize the benefits of publishing open-access journals," Steele said. "At IU, we're especially pleased to help advance one of the university's top disciplines. And by partnering locally, we're disseminating scholarship that will help researchers worldwide."

Steele said that universities, and particularly libraries, have been squeezed in recent years by a system in which the cost of acquiring journals from commercial publishers has grown increasingly more expensive.

Double-digit price increases forced upon library subscribers over the past decade have allowed commercial publishers to steadily grow their profits at the expense of university budgets. The library community contends that one approach to control runaway costs is to minimize the dependence on subscription-based models by publishing and promoting the use of freely available, or open access, journals.

Jackson founded Museum Anthropology Review on the basis of his experiences as editor of an established closed-access journal in his field -- the similarly titled and focused Museum Anthropology. Unlike Museum Anthropology Review, this more established journal is published by the American Anthropological Association in a partnership with the for-profit publisher Wiley-Blackwell.

"The costs associated with publishing in the traditional mode are astronomical," Jackson said. "Publication of a single research article in Museum Anthropology can cost thousands of dollars and, when published, the results will then be available to a small proportion of people worldwide."

Jackson said that making scholarly work more easily and affordably accessible is especially important in fields like folklore and anthropology that are rooted in the study of local cultures worldwide.

"If, for instance, a scholar spends months documenting the work of an elderly woodcarver living in a small American town and then writes about what she learned in a peer-reviewed research article, I have an obligation as her editor to make it as easy as possible for the schoolchildren of that town -- or the artist's grandchildren -- to gain access to her writing. Open access repositories and journals, in their varied forms, help make this possible."

Begun in February 2007 as a pilot project using weblog software, Museum Anthropology Review published 64 contributions from scholars worldwide. The works were consulted more than 20,000 times, Jackson said, and for many of the books that were reviewed in the journal, the assessments published in Museum Anthropology Review are the most highly ranked pages in standard Web searches.

"Everyone involved with the effort has been thrilled with the results," Jackson said, "and I am happy to be continuing the project in a more durable and robust way through our partnership with the IUB Libraries."

IUScholarWorks is a set of services supported by the IU Libraries and the Digital Library Program, a collaborative effort of the IU Libraries and University Information Technology Services. For more information, go to scholarworks.iu.edu.

Focus and Scope

Museum Anthropology Review (MAR) is an open access journal whose purpose is the wide dissemination of articles, reviews, essays, obituaries and other content advancing the field of material culture and museum studies, broadly conceived.

While centered on the concerns of museum anthropology,
Museum Anthropology Review is a highly interdisciplinary journal that embraces work being done in numerous fields concerned with the role of museums in social life and with the study of material culture, past and present. Since its founding in February 2007, the journal has published smart, significant work by scholars--both junior and well established--working in folklore studies, vernacular architecture studies, archaeology, linguistic anthropology, religious studies, museum studies, history, art history, and ethnomusicology, in addition to cultural anthropology. It is hoped that the journal can promote cross-disciplinary dialogue between all of these fields and others with which they share an interest in material culture and the multifaceted work of museums. The journal is committed to an international perspective and to rigorous scholarship, as well as to presenting work that can improve professional practice in museums and further the theoretical, empirical and methodological development of material culture studies.

As an open access journal,
Museum Anthropology Review is committed to the development of new approaches to scholarly communication. Like many other open access journals, Museum Anthropology Review seeks to rewrite the terms under which scholarship is made available in a era of dramatic technological change, breathtaking media consolidation, accelerating corporate enclosure of scholarship and scholarly publishing, deep financial strain in research libraries, and demands by diverse publics for access to knowledge and interpretive work that has often been pursued with public support and that takes, in anthropology and folklore studies especially, the life of local communities as its object.

In addition to peer-reviewed research articles,
Museum Anthropology Review also publishes shorter contributions intended to stimulate debate, promote improved professional practice, and disseminate information on new developments within the field. Authors considering submission of such essays are encouraged to contact the editor to discuss the scope and form of their submissions. Books, catalogs, exhibitions, online exhibitions, websites, and other media of interest to the field are reviewed regularly in Museum Anthropology Review. Such reviews are typically solicited by the editorial team, but suggestions of materials appropriate for review are especially welcome. Scholars interested in being called upon to serve as reviewers may contact the editor. Authors, curators and other interested parties are encouraged to forward to the editor’s attention press releases and other publicity materials produced by museums staging or hosting special exhibitions. These, together with publisher’s catalogs and direct correspondence, all assist the editors in identifying materials suitable for review in the journal.

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OPINION

December 12, 1997

University Libraries: the 7-Per-Cent Solution

Scholars who depend on university libraries for their teaching and research don’t need to consult the latest statistics to know that reductions in what universities are willing to spend on libraries have made their professional lives increasingly difficult.

In its most recently published report, the Association of Research Libraries, which keeps tabs on the 100 or so leading research libraries in North America, reveals that over the past decade, these libraries have cut back spending on purchases of monographs by 23 per cent and of journals by 8 per cent. The reductions have come during a period when library use is on the rise; 24 per cent more graduate students are using libraries than a decade ago, 8 per cent more undergraduates, and 17 per cent more faculty members. More library users means more pressure on librarians: In the past 10 years, requests for reference help have risen by 14 per cent, while the demand on librarians for instruction has climbed by 33 per cent (numbers that are sure to rise with the introduction of more-sophisticated—and to some, intimidating— technologies). Even as the demands put on librarians continue to grow, research universities have cut back on personnel. Since 1985, the libraries cited in the report have eliminated, on average, 6 per cent of their staff members.

The well-documented rise in the cost of books and journals (as well as the hand wringing of university administrators) has created the misleading impression that libraries have become a significant drain on the resources of major research institutions. In fact, the opposite is true: As a 1992 report from the Mellon Foundation on “University Libraries and Scholarly Communication” observed, the proportion of the budget that goes to libraries at both public and private research institutions has actually shrunk dramatically since the late 1970s (though, tellingly, the proportion at leading liberal-arts colleges, committed to undergraduate education, has remained constant).

The failure to maintain spending levels for research libraries is leading to a serious decline of collections that in some cases have taken 200 years or more to accumulate. Millions of books in these libraries, printed on acidic paper, are disintegrating at an alarming rate. It has been estimated that anywhere from a quarter to a half of the books housed in university collections are endangered, and that in perhaps 20 per cent of these volumes, the pages already have become brittle, leaving tiny brown fragments—the telltale signs of disintegration—on library photocopy machines. Given the cost of deacidifying books, the likelihood is that a lot of volumes are going to turn to dust before anything can be done to save them.

Administrators at research universities have responded in two ways to this crisis. The more farsighted, who have come to acknowledge that a strong library is critical to the intellectual health of the university, have reconsidered university priorities and have already embarked on programs to transform their collections, in anticipation of the “gateway” or “virtual” library of the future. The belated expenditures are considerable—and will continue to be needed for decades to come. The money is going toward building warehouses for rarely consulted books; developing consortia to share books and journals; investing in digital technologies; sponsoring conferences on library issues; continuing to acquire monographs and journals in both print and digital form; hiring more librarians; consulting with faculty users; and replacing quickly outmoded audio, visual, and computer equipment, as well as printers and microfilm machines.

Other university administrators prefer simply to talk about—or, at most, tentatively to plan for—the future, but as yet have done very little to bring it about. They labor under the false hope that the virtual library—in which users deal only with on-line information—will be virtually cost-free, because instead of having to buy information, libraries will simply provide users with electronic access to it. The problem with such thinking is that the library of the future is sure to be even more expensive than the current one: Books will still be with us, while technological advances will require frequent and expensive upgrading of electronic resources. It’s worth noting that no standardized model for digital reproduction yet exists, and that there are still flaws in existing systems. In addition, the library of the future will need to employ many more trained personnel than libraries currently do, to teach new students and retrain faculty members in how to gain access to the library’s holdings.

In such an environment, university administrators who are letting their libraries languish often adopt the rhetoric of officials who are actually doing something substantive. About the only sure way to tell the difference between the two is to look at what they spend. The key figure here is the proportion that universities devote year in and year out to libraries in what they label their “general and educational expenditures.” I learned from serving on library committees that the break-even point for a large collection—just enough to keep the collection intact, while allowing for modest technological improvements—is about 3 per cent (down from close to 4 per cent 20 years ago). A percentage point or two higher is a sure sign of a flourishing library, one that is as committed to the past as it is to the future. But if a major university is spending less than 3 per cent, there’s a strong likelihood of neglect, one that will have a corrosive effect on both research and teaching.

I hunted down the figures on university libraries where I’ve done some research during the past few years, and the numbers confirm my impressions about which libraries seem to be getting better and which seem to be deteriorating. In 1994-95 (the most recent year for which I have figures), Harvard spent more than $68-million on its libraries—an impressive 5.1 per cent of its $1.3-billion of expenditures. Princeton spent an even higher proportion -- 6.8 per cent. Then there’s a pretty sharp drop to the next spending level, found at libraries that are still a pleasure to use: Dartmouth spent 3.84 per cent, Yale 3.83 per cent, and Chicago 3.51 per cent.

I’m embarrassed to report that my own university, Columbia, with one of the largest collections in the country, ranked far lower, spending a meager 2.55 per cent, or $28-million, on its libraries (which helps explain why I have had to spend so much time at other libraries, and why a survey by Columbia’s library revealed that more than 90 per cent of Columbia’s professors no longer set foot in the main library). It’s depressing to discover how many prestigious universities devote an even smaller proportion of their expenditures to their libraries than do the institutions that I’ve cited.

You know that you have entered an underfinanced library when you can’t find an available computer terminal, and if you do, its printer is broken; when the ancient machines in the microfilm room are in terrible condition; when overstuffed carts holding books waiting to be reshelved are backed up like cars in stalled traffic; and when the shelves holding the call number “PR” are infiltrated by books with such call numbers as “PT,” “PS,” and an occasional “PN.”

Underfinanced libraries are also easy to identify by the hours they stay closed. Those of us who rely most heavily on research libraries for our livelihood -- faculty members and graduate students—are also those who spend a good part of the 9-to-5 weekday teaching, or at meetings, or holding office hours. The times that research can be squeezed in -- weekends, holidays, and breaks between semesters—also happen to be the times when libraries cut costs by shutting down. Those libraries, which often lack carrels for faculty members’ use, seem almost intent on discouraging professors from using them.

Another sure sign of underinvestment is the decline in core services. When a library staff has been reduced to a skeleton crew, books that were published months ago, if not years ago, remain in the limbo of what the on-line catalogue describes as “In Process”—which means that the teams of people needed to select, purchase, catalogue, label, cart, and shelve them are no longer at full strength.

In my own experience at Columbia, I’ve learned that the people who suffer most from an underfinanced library are students. When I can’t get hold of a book at my university library, I can either buy it, wait a few weeks and get it through interlibrary loan, or, more typically, wait even longer, until I visit another library. But a student who has to consult a book or article for a paper due in a week has little recourse. Sometimes, students are unaware that books that they want are actually in the library, because the books don’t appear in the on-line catalogue. (Nobody has told them that the library can’t afford to enter into its on-line catalogue all of the older books that are still to be found only through the card catalogue.)

Of course, my students still find a way to do research papers, and, like my colleagues, I still manage to come up with lecture material. But the quality of student research conducted at a library run on the cheap ends up being a bit below what one might hope for. As for the lectures, how many of my students will know that I was unable to draw on ideas from the latest published books and articles, because that scholarship either wasn’t purchased or hadn’t quite made it to the library’s stacks? The savvier graduate students at any institution quickly figure out that the people who go on to get academic positions do their critical research at other libraries, such as the Huntington, Folger, and British Library.

In the late 1970s, it was possible for a scholar in the humanities to undertake serious research at any one of 60 or 70 top university libraries. A decade from now, I suspect that this number will be reduced by half, at least. It remains to be seen which universities will make the long-term commitment that will insure a place in that company and thereby attract and retain the nation’s finest teachers and students.

James Shapiro is a professor of English and comparative literature at Columbia University. He writes regularly on publishing for The Chronicle.

Copyright © 1997 by The Chronicle of Higher Education